Acute myeloid leukemia continues to come up as a signal, and a symbol in the collective. Also I read this story today in a local paper about a singer who was brutally assaulted by a priest in January 2007. She now is in the midst of treating her leukemial.
From the last post recently on leukemia, the message underlying is: Brutally killing inspiration.
"If someone wishes for good health, one must first ask oneself if he is ready to do away with the reasons for his illness. Only then is it possible to help him."- Hippocrates
In the strange way that everything is One, and thus more than just interconnected, this all is coalescing into a singular larger message that relates to the recent spate of posts on pancreas, Occupy Wall Street, Steve Jobs, and becoming our own authority/expert.
I won't get to tie all the puzzle pieces together in this one post. As a catalyst, consider the feeling (not the meanings) of power/energy/will and the solar plexus chakra. Keep that feeling "in mind" for the next several posts.
In my own life, I tend to "kill inspiration," when I conjecture that the status quo power structure would mock my ideas--or, gulp, worse, and thus I self-police myself.
An intense self-preservation reaction takes me over as a force that I hardly understood until I read two books recently.
I received more insight into that self-censoring impulse (and truthfully it was just two chapters within each book that together were the huge Aha!). The nutshell is that cultural memes that progragate the easiest are the ones that stifle innovation, and serve to keep the status quo in place (see The Beginning of Infinity, by David Deutsch--particularly chapters The Evolution of Culture, and The Evolution of Creativity). It's not me, it's not you. It's the memetic milieu you're born into. This is often done through the use of pyschological pressure of shame and praise and through the labeling of taboo.
More than anything, it's failure and success, that are shamed and praised (see Little Bets by Peter Sims). Thus, cultural indocrination (inherited generation to generation) instead of viewing failure as being a valid, natural part of the journey towards new inventions (and heck, adventures), paint obstacles as evidence that we are worth less as valued members of society. "They might not think I'm smart, so let me avoid that challenge since it may not pan out and make me out to be the fool."
"A functioning police state needs no police” - William S. Burroughs -- think that one over
Do you self-police your self expression? Do you censor vibrant inspiration since it doesn't fit the message and memes of yesteryear's society? As far as I'm concerned, it's all yesteryear's ideas since same old, same old memes and memories have been recycling in a loop-de-loop for a while. Dynamic civilizations ability to grow, progress, and evolve depend on knowing and allowing that failures aren't personal shortcomings. They're part of the process of progress.
Several research studies, including those by Carole Dweck at Stanford University, show that children praised for process and effort take on new challenges more readily than children praised for intelligence. The latter seek external pats on the back to keep up their self-image, and thus adopt a "fixed mindset" that pretty colludes with static societies. The former adapt to a "growth mindset."
If truth be told, I was a child praised for intelligence. Straight A's, yada yada.
The last few years I've lived a fairly unconventional life--probably classifying me as a 'loser' in the black-and-white failure-or-success culture of USA. I would keep feeling these strong, nearly debilitating sense of shame that was unsettling, and I didn't know why. Now I know why, and that knowledge that it isn't personal--but embedded into the cultural--has broken its hold over me (very, very recently).
Isn't that Dr. Len's point? That these patterns aren't personal to you or I. They're programming (and, memes serve that function). They're collective. That may explain why it feels like a force field when you begin to make some head-way and bump against their boundary... there's generations of cultural energy charging the battery up.
Enough was enough. No cultural censors--no priestly classes or doctor classes or police classes or what not authority figures weild power over me such that they will silence me.
I shall speak and express freely.
Power and energy are forces of life and existence itself, and thus are available to all.
Shortly after reading the article about the singer who is healing from leukemia, in the same coffee shop, I picked out a book from their shelf on New England Legends and Folklore. And lo and behold, I find a story about the Salem witch trials. (Remember static tactics are taboo... shame and praise... "You're a witch!" is a shaming tactic. Or, "You're a heretic!") Back then, shame went a bit further than just mere psychological abuse, it was literally killing inspiration.
In those days, traits of a witch included singing, writing, storytelling, reading, and spending time alone.
Even though I've been to Salem, Mass., myself, I don't recall this story at all. To summarize.... at that time the Mather family was quite powerful. (There's that word again.) And Cotton Mather was "the foremost clergyman of that dark day." Church and state were much less separate in that time as well, btw.
Reading this chapter I got the impression that everyone was cowed into obeying external authority of the day, especially if they claimed direct access to Divinity (as if you don't?). It's quite possible everyone believed the truths of the day unquestioned. Or, even if they did not, who wants to be the minority outspoken one who is made an example of ("off with her head"? Oh, at this point I should point out I have an unhealthy fear of being burned at the stake. Yeah, it makes no sense but maybe it does.
Except not everyone was intimidated. A clothier named Robert Calef spoke up.
"The sickening reflection that the judges had decreed the death of a score of innocent persons upon a mistake paralyzed men's tongues, unless, like Calef, they spoke in obedience to the command of conscience." - New England Legends and Folklore, by Samuel Adams Drake
Calef bundled together his thoughts in writing to rebuke Reverend Mather's teachings.
"No printer could be found in Boston or in the Colony willing to undertake the publication or expose it for sale. "
Fine, then, all the powers that be in the Colony may have the ability to intimidate the printers, but that didn't deter him. Calef printed his words against phony witch trials in London.
"It was publicly burned in the College-yard at Cambridge by order of the president, whom its exposures reached through his near relative."
The near relative was the father of Cotton Mather, a puritan Minister whom was President at Harvard. Fine then, the power plays escalate. The Mathers print a denounciation of Calef's work in his printing a response, Some Few Remarks upon a Scandalous Book. (That label scandalous is to make sure that the pious adherents to memes understand that it is taboo, just in case):
"To break its force, a vindication was prepared and printed;. . . ."
However, borrowing William Burroughs again, “Writers are very powerful,” Burrough tells us; they can write, and “unwrite,” the "script for the reality film." Calef used his own energy rather than bowing to others' perceived power, and in so doing, balanced the imbalance of power:
". . . but there were no more denunciations made for witchcraft, or courts assembled to hang innocent people. Calef indeed felt the resentment of the Mathers, but he had saved the cause."
John Greenleaf Whittier wrote a poem in Calef's honor called, Calef in Boston. Here's one verse (the full poem here) that I'd have to say pretty much could be a poem in honor of Ho'oponopono--cleaning away the old to allow the fresh, moment-by-moment inspiration:
"Falsehoods which we spurn to-day
Were the truths of long ago;
Let the dead boughs fall away,
Fresher shall the living grow."
BONUS: A related video that I found really helpful is below. Almine uses Ho'oponopono principles to heal herself, even though it appears that a student is asking her for a healing because he'd completely lost his singing voice.
Particularly note the symbolism of singing voice, the singer in the Las Vegas Sun article, voice, inspiration, expression:
"My own life needed to sing more... even if it meant simplifying a great deal." - Almine
p.s. If you want to do some homework in anticipation of future posts, take a peek at the Third / Solar Plexus Chakra attributes in this chart/list.
p.p.s. I'm also finding that lupus seems to also have a similar message. This post may be useful to delve into that too. The message in lupus is that one is feeling, "A giving up. Better to die than stand up for one's self." Again, it seems very related to power, 3rd chakra, and cultural meme of fitting in to rest of the tribe (by psychological pressure). For instance, a friend comes from a strict Asian family, and they don't like that she "defies" their cultural mores to go to school to be a modern dancer. So, yeah, you guessed it, she is diagnosed with lupus. It's almost as if this massive collective conflict between meme-memory and the flow of future is playing out inside us... Thankfully, life itself has no opposition.
ART CREDITS: Jazz Singer, by Erica Laszlo, www.ericalaszlo.com.
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